Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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William-Adolphe Bouguereau
The Remorse of Orestes or Orestes Pursued by the Furies

ID: 86061

William-Adolphe Bouguereau The Remorse of Orestes or Orestes Pursued by the Furies
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William-Adolphe Bouguereau The Remorse of Orestes or Orestes Pursued by the Furies


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William-Adolphe Bouguereau

(November 30, 1825 - August 19, 1905) was a French academic painter. William Bouguereau was a traditionalist whose realistic genre paintings and mythological themes were modern interpretations of Classical subjects with a heavy emphasis on the female human body. William-Adolphe Bouguereau was born in La Rochelle, France on November 30, 1825, into a family of wine and olive oil merchants. He seemed destined to join the family business but for the intervention of his uncle Eugene, a Roman Catholic priest, who taught him classical and Biblical subjects, and arranged for Bouguereau to go to high school. Bouguereau showed artistic talent early on and his father was convinced by a client to send him to the École des Beaux-Arts in Bordeaux, where he won first prize in figure painting for a depiction of Saint Roch. To earn extra money, he designed labels for jams and preserves  Related Paintings of William-Adolphe Bouguereau :. | Daisies | River landscape | The Remorse of Orestes or Orestes Pursued by the Furies | Urban landscape | The Nut Gatherers |
Related Artists:
August Querfurt
Austrian ,Wolfenbuttel 1696-1761 Vienna
Charles Lennox-Wright
painted Catching a dream in before 1932
LE SUEUR, Eustache
French painter (b. 1616/17, Paris, d. 1655, Paris). French painter and draughtsman. He was one of the most important painters of historical, mythological and religious pictures in 17th-century France and one of the founders of French classicism. He was long considered the 'French Raphael' and the equal of Nicolas Poussin and Charles Le Brun. His reputation reached its zenith in the first half of the 19th century, but since then it has been in decline, largely as a result of the simplified and saccharine image of the man and his art created by Romantic writers and painters. Nevertheless, more recent recognition of the complexity of his art has resulted in a new interest in him and in his place in the evolution of French painting in the 17th century. Despite the almost total absence of signed and dated works, the chronology of Le Sueur's oeuvre can be established with the aid of a few surviving contracts,






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